Paul Oyetunde Ogunlesi
Born 1994; based in Nigeria.
Paul Oyetunde Ogunlesi is a visual artist working primarily between painting on canvas and drawing on paper. His practice combines acrylic painting, charcoal drawing, and newspaper collage, producing layered surfaces in which material and narrative remain deliberately unresolved.
Ogunlesi often begins with collaged newsprint, used not for legibility but as a structural ground — embedding obscured histories and unspoken contexts beneath the painted surface. Wash and tempera-like techniques soften these layers, allowing figures and gestures to emerge gradually. His compositions are frequently truncated, withholding faces and focusing instead on legs, feet, and partial bodies. This framing shifts attention away from portraiture and towards presence, vulnerability, and shared experience.
Drawing from everyday observation, Yoruba adages, faith, and personal memory, Ogunlesi explores themes of humanity, intimacy, romance, kindness, and hope. His scenes oscillate between calm and unease, inviting viewers into narratives that remain open-ended rather than resolved. Gold leaf appears sparingly, not as ornament, but as a point of emphasis — a pause within otherwise restrained pictorial fields.
Ogunlesi has participated in numerous exhibitions across Nigeria, Europe, and the United States, including Tight Knit at Harshcollective Gallery, New York; Mixtape (iii) at Cultivate Gallery, London; Nigerian Art in Ligerz in Switzerland; and ArtConomy in Lagos. His work has been presented in international contexts through Artsy and has appeared in auctions and exhibitions associated with initiatives such as Art for Social Change. He has been a resident artist at Rele Gallery's Young Contemporary Residency and Orange Art Residency, and his works are held in notable private collections in Nigeria, the United States, the UAE, and Europe, as well as in institutional advisory collections in London.
Across his practice, Ogunlesi treats painting as a site of accumulation — of material, gesture, and implication — offering images that resist closure and instead ask for sustained attention.